French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | The Song Rehearsal | On the Racecourse | The Laundresses | Head of a Woman | Women on the terrace |
Related Artists:
David Hunter Strother
1816-1888 Strother was born in Martinsburg, Virginia (now West Virginia). He studied drawing under Pietro Aneora in Philadelphia, Pennsylvania from 1829 to 1836 when he became a student of Samuel F. B. Morse in New York. Strother was an artist for The Crayon, the leading art journal of the United States at the time, and a frequent contributor to Harper's Monthly. Most of his early work was comprised of landscapes and other outdoor scenes. His art pertained mostly to Virginia and the Southern United States. Prior to the American Civil War, his art was published in books titled The Blackwater Chronicle (1853) and Virginia Illustrated (1857). During the Civil War, Strother was commissioned by the U.S. Army and assigned as a topographer due to his detailed knowledge of the Shenandoah Valley. During this time, Strother recorded his experiences in the war which he would later publish in Harper's Monthly as "Personal Recollections of the War." His accounts are considered to be unique and are highly praised for their objective viewpoint. He was involved in 30 battles, though never wounded, and was brevetted brigadier general by the War's end. After the war, topics of his pieces covered a wider range of subjects. Strother began to make works which commented on politics and race relations. He even sketched a portrait of Chief Sitting Bull. Some of his drawings were merely of individuals and groups going about their daily lives. Strother ended his career as an artist when he was appointed by President Rutherford B. Hayes to be the General Consul to Mexico City in 1879. He returned to West Virginia in 1885 and died there three years later. The New York Times published an obituary in which it is stated that his name was a household one during his career. Strother is buried in Green Hill Cemetery in Martinsburg, West Virginia.
Tadeusz Makowski
(21 January 1882 - 1 November 1932) was a prominent Polish painter active in France for most of his life. He was born in Oświęcim. Makowski attended the Academy of Fine Arts in Krakew. He studied under Jan Stanisławski and Jezef Mehoffer. In 1909, he departed for Paris. Makowski started off as a landscape painter but then shifted towards Post-Impressionism and Cubism. However, he is arguably most famous for his rural landscape paintings. He met Pablo Picasso,who was his good friend.
John Gadsby Chapman
American Painter, 1808-1889,was an American artist famous for The Baptism of Pocahontas, which was commissioned by the United States Congress and hangs in the United States Capitol rotunda. John Chapman was born in 1808 in Alexandria, Virginia. Chapman began his study of art in Philadelphia for two years, then departed for Europe where he eventually spent time in Italy. In 1831, Chapman returned to his hometown of Alexandria, and exhibited his artwork in the nearest metropolitan areas, such as Washington, D.C., Richmond, and Philadelphia. He specialized in landscapes and portraits. By 1834, Chapman had moved to New York City and become a member of the National Academy of Design, and found work as an illustrator. In New York, Chapman embarked on a series of historic paintings, such as Landing at Jamestown and the Crowning of Powhatan. The success of these paintings helped Chapman land a commission from the United States Congress in February 1837 to paint a historical scene for the rotunda of the Capitol building. For this work, Chapman received a total payment of $10,000. On November 30th, 1840, The Baptism of Pocahontas was formally unveiled in the Capitol rotunda. On the swell of this success, Chapman moved his family to Rome, and made an earnest living selling paintings of rural Campagna to American visitors. However, at the onset of the American Civil War, the tourist industry dried up, affecting Chapman fortunes greatly. In addition, Chapman own son, Conrad Chapman, returned to America to fight on the side of the Confederate States of America. The economic deprivation inflicted on Chapman during the 1860s became insurmountable. In Rome, he was forced to live off the kindness of fellow expatriates, and finally returned to America, sick and poor, to spend his last days with another son, John Linton Chapman, in Brooklyn, New York. It was there, in 1889, that he died a pauper.